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bg arteconTEMPOrânea Helio
Branco
As
well as the invention of the photography in elapsing of the century 19 came to
bring subjects that would definitively influence the production in visual artses,
in an exchange that would redimension the statutes of the own condition of the
object, original, establishing progressively the era of the technical
reprodutibility in the domains of the academic sensibility, the coming of the
world net of computers comes to make possible a new existence condition to the
works of art. The volatization of the ways where now enroll and she produce implicates
a necessarily paradigm change, still and comprehensibly no measured, providing
to the agents implicated in the process opportunities of reflections that
be will characterize for the widest range of positionings. Going from an
unconditional and immediate adhesion to the more uncompromising refusals. The
appearance of the bg arteconTEMPOrânea coincides with the birth
of the XXI century, bringing as main intention the fomentation to
the circulation of concerning information to the field of the visual arts.
Making their way for recent practical and theoretical productions, of
independent character, and committed with the
freedoms creation and expression of the moment in that are produced.
However, it is good to emphasize, our preocupation concern with a public's
formation that we intended is the widest, as it makes us to believe the growing
inclusion of the internet, it showed us the need to transmit as more as possible
works that, belonging to the tradition of the Brazilian art, compose the
indispensable legacy for the understanding of the processes and ruptures own of
the contemporary art. Being constituted for that purpose, the núcleohistóRICO
bg. Where they will represent more artists' works “known” than seen:
August Muller, Richard Bate, J.B. Debret, Driendl, Fachinetti,
Georgina de Albuquerque, Georg Grimm, José Panceti, Manoel
Santiago, Antônio Parreiras, Taunay and Vinet are
among the first ones. All of them with
works that present their perceptions on some angle of the Guanabara Bay. It is
to dive and see. In
the contemporary line, the multiform poetic and the polissemics speeches will
have their own room. In that first edition, the meeting of artists originating
from several points of Brazil around the Guanabara Bay well could be the motto. However, the bonds, no
matter how their are, appear more for a reverberation of that presence homelike,
almost mythical, of the Guanabara Bay, edthat is fed through the rivers, and
mixing the waters that they will be thrown to the sea , also accomplishes her
inverse, being na arrival place also for what it comes from outside. For so much,
we have present in that edition artists as: Bonfá, Bruno Lima,
Cida Mársico, Fátima Gama, Helio Branco, Jaqueline Belotti,
João Magalhães, Luiz Carlos de Carvalho, Marta Strauch,
Ney Valle and Yuli Geszti. And also the project for doctor´s
degree in the course of Sciences of the Literature of University of Letters of
UFRJ “Of the critic to the foundation to the statement of the experiment”,
of Marcelo Diniz Martins. Important: so much bg arteconTEMPOrânea as núcleohistóRICO bg are open, in the measure of our technical readiness, to receive the artists' contribution, theoretical and public in general. Enter in contact. Send your work, text, critic or comment about art.
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